Kelly's Music & Computers
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STUDIO CLASSICS COLLECTION TDM - http://kellysmusicandcomputers.com/savemoney.asp?c=AP-7959
Our Price:$3,570.00 We save you: $1,190.00
Please note that all Waves products now require an "iLok" USB smart key.
Waves does not include an iLok with their products. You may use an existing iLok, or purchase a new one.
This product is available for Electronic Delivery. Once we have processed your order, we will e-mail you the serial number and you can start using your plug-in right away! We will remove the shipping charge for this item from your order before we charge your credit card. If you prefer to receive the box, please indicate "boxed version" in the comments section of your order. (Academic Editions are not available for Electronic Delivery.)
When it comes to audio hardware modeling, Waves sets the standard to which others aspire. These plug-ins don’t just mimic components and circuit schematics; they recreate every last nuance of actual hardware behavior.
Now, Waves has captured the most respected recording consoles in the world. The consoles that made music history. The big budget studio sound.
In this bundle are V-Series, the API Collection, and the SSL 4000 Collection.
V-Series
V-Comp – Vintage meets the future
Using a fixed nominal output gain and time constants, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.
Controls:
- Input - Adjusts input level -24 dB to +18 dB in 0.1 dB increments.
- Output - Sets the output level, continuously adjustable ±18 dB.
- Meter switch - Selects mode of meter display: Input; Output or Gain Reduction
- Meter Display - Displays input, output, or gain reduction levels.
- Analog Switch - Controls the relative amount of analogue modeling.
- Settings: Off, 25%, 50%, 100% (full analog modeling)
- Compress - Turns the compressor on and off.
- Ratio - Sets the compression ratio of the compressor.
- Settings: 1.5:1, 2:1, 3:1, 4:1, 6:1
- Release - Sets the release time of the compressor.
- Settings: 400ms, 800ms, 1.5s, Auto.
- DeEsser - Turns the compressor into a simple de-esser.
- Limit - Turns the limiter on and off.
- Limit Level - Sets the threshold of the limiter.
- Adjustable from +4 dBu to +12 dBu in 0.5 dB steps.
- Attack - Adjusts the attack speed of the limiter.
- Fast = 1 microsecond; Slow = 1 millisecond
- Release - Adjusts the release time of the limiter.
- Settings: 100 ms, 200 ms, 800 ms, Auto
V-EQ3 – Vintage meets the future
Combining the best characteristics from two of the world’s most desirable console modules, the 1073 and 1066, this 3-Band EQ, with its classic cutoff points and adjustable High Pass Filter, is ideal for mixing and mastering. With the V-EQ3, it’s never been easier to achieve the rich classic sound of the ‘60s and ‘70s.
Controls:
- HP - High Pass Filter gain and cutoff
- Gain: up to -18 dB/octave
- 7 cutoff points (Hz): 45, 50, 70, 80, 160, 300, 360
- EQL - Equalizer on/off switch
- PHASE - Reverses output signal phase
- LF - Low Frequency gain and cutoff
- Continuously adjustable gain: up to ±18 dB
- 5 cutoff points (Hz): 35, 60, 100, 110, 220
- Slope: ±18 dB per octave
- MF - Middle Frequency gain and cutoff
- Continuously adjustable gain: up to ±18 dB
- 9 cutoff points (kHz): 0.36, 0.70, 1.2, 1.6, 3.2, 3.8, 4.8, 7.0, 7.2
- HF - shelf filter gain and cutoff
- variable gain: ±18 dB
- cutoff points: 10 kHz or 12 kHz
- OUTPUT - Controls output level in 0.1 dB increments from -18 dB to +18 dB
- TRIM METER / RESET - Displays peak output in dBFS, resets Trim
- ANALOG - Analog modeling on/off
V-EQ4 – Vintage meets the future
Modeled on the highly sought-after 1081 console module, this classic 4-band equalizer features detailed high frequency boosts plus High Pass and Low Pass Filters. The V-EQ4 captures the characteristic sound of vintage analog gear while providing the limitless flexibility and versatility of the digital environment.
Controls:
- LP/HP - Selectable Lowpass or Highpass filter
- 5 HP cutoff points (Hz): 27, 47, 82, 150, 270
- 5 LP cutoff points (kHz): 18, 12, 8.7, 5.6, 3.9
- LF - Low Frequency gain and cutoff
- Switchable between shelf (default) and bell
- Continuously adjustable boost/cut up to ±18 dB
- 5 cutoff points (Hz): 33, 56, 100, 180, 300
- Slope: ±18 dB per octave
- EQ - Equalizer on/off switch
- PHASE - Reverses output signal phase
- SHELF/BELL - Sets the LF and HF curve shapes
- LMF - Low middle frequency gain and cutoff
- High Q Bell continuously adjustable gain ±18 dB
- 10 cutoff points (Hz): 220, 270, 330, 390, 470, 560, 680, 820, 1000, 1200
- Hi-Q - Sets LMF or HMF bell curves to a higher Q (LMF ±12dB / HMF ±18dB)
- HMF - High Middle Frequency gain and cutoff
- High Q Bell gain adjustment, continuously adjustable ±18 dB
- 9 cutoff points (kHz): 1.5, 1.8, 2.2, 2.7, 3.3, 3.9, 4.7, 5.6, 8.2
- HF - High Frequency filter gain and cutoff
- Switchable between shelf (default) and bell
- Continuously variable gain ±18 dB
- 5 cutoff points (kHz): 3.3, 4.7, 6.8, 10, 15
- OUTPUT - Controls output level in 0.1 dB increments from -18 dB to +18 dB
- TRIM METER / RESET - Displays peak output, measured in dBFS, resets Trim
- ANALOG - Analog modeling on/off
The API Collection
API550A
Modeled on API’s late 1960’s legend, the API 550A EQ delivers a sound that has been a hallmark of high end studios for decades. It provides reciprocal equalization at 15 points in 5 steps of boost divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter can be inserted independently of all other settings. The 550A is a uniquely powerful equalizer with that one-of-a-kind API sound.
Featuring
- 5 selected frequency centers per band
- Reciprocal and repeatable filtering
- Maximum 12 dB of boost/cut per band in 2-3 dB steps
- "Proportional Q" narrows filter Q at extremes
- High headroom +30 dB clip level
Controls
- HF Filter Gain -12 dB to +12 dB
- HF Filter Frequency 5 KHz, 7 KHz, 10 KHz, 12.5 KHz and 15 KHz
- MF Bell Filter Gain -12 dB to +12 dB
- MF Bell Filter Frequency 0.4 KHz, 0.8 KHz, 1.5 KHz, 3 KHz and 5 KHz
- LF Filter Gain -12 dB to +12 dB
- LF Filter Frequency 50 Hz, 100 Hz, 200 Hz, 300 Hz and 400 Hz
- Filter On/Off 50 Hz to 15 KHz Band Pass Filter
- LF Filter Type Low Shelf or Bell
- HF Filter Type Hi Shelf or Bell
- EQ IN On/Off
- VU Meters -30 dB to 0 dB With Clip indicator
- Output Controls
- Analog On/Off
- Phase Polarity Reverse On/Off
- Output Gain -18 dB to +18 dB
- Trim Output Gain Adjustment
API550B
Featuring four overlapped EQ bands, the 550B gives tracks that sweet analog sound that API is renowned for. With 7 switchable filter frequencies spanning up to 5 octaves per band, the 550B’s “Proportional Q” automatically widens the filter bandwidth at minimal settings and narrows it at higher settings. It even lets you undo previous processing, affect or even reverse tonal modifications. With its vast range of tonal possibilities, the API 550B is a versatile EQ for all your processing needs.
Featuring
- 7 selected frequency centers per band
- Reciprocal and repeatable filtering
- 12 dB of boost/cut per band
- Bands 1 and 4 offer shelf/peak switching
- High headroom +30 dB clip level
Controls
- HF Filter Gain -12dB to +12dB
- HF Filter Frequency 2.5KHz, 5KHz, 7KHz, 10KHZ, 12.5KHz, 15KHz and 20KHz
- HF Filter Type Hi Shelf or Bell
- HMF Bell Filter Gain -12dB to +12dB
- HMF Bell Filter Frequency 800Hz, 1.5KHz, 3KHz, 5KHz, 8KHz, 10KHz and 12.5KHz
- LMF Bell Filter Gain -12dB to +12dB
- LMF Bell Filter Frequency 75Hz, 150Hz, 180Hz, 240Hz, 500Hz, 700Hz and 1KHz
- LF Filter Gain -12dB to +12dB
- LF Filter Frequency 30Hz, 40Hz, 50Hz, 100Hz, 200Hz, 300Hz and 400Hz
- LF Filter Type Low Shelf or Bell
- EQ IN On/Off
- Meters -30dB to 0dB With Clip indicator
- Output Controls
- Analog On/Off
- Phase Polarity Reverse On/Off
- Output Gain -18dB to +18dB
- Trim Output Gain Adjustment
API560
Based on API’s 1967 classic, the 560 10-Band Graphic Equalizer features precision filtering and massive headroom, so you can take your sound to the edge and beyond. The 560’s curve shaping potential is unmatched, while API's unique "Proportional Q" design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. And since boost and cut characteristics are identical, previous actions can be easily undone. For precision equalization with unmatched versatility, turn to the EQ heard on top recordings for decades: the API 560.
Featuring
- Familiar one octave centers
- 12 dB of boost/cut per band
- "Proportional Q" narrows filter Q at extremes
- Additional resolution in the critical ±4 dB region
- Clip level > +28 dBu
Controls
- Per Band Gain -12dB to +12dB
- Band Frequencies 31Hz, 63Hz, 125Hz, 250HZ, 500Hz, 1KHz, 2KHz, 4KHz, 8KHz and 16KHz
- EQ IN On/Off
- VU Meters -30dB to 0dB With Clip indicator
- Output Controls
- Analog On/Off
- Phase Polarity Reverse On/Off
- Output Gain -18dB to +18dB
- Trim Output Gain Adjustment
API2500
The API 2500 is a dynamics processing powerhouse that lets you deliver the punch with absolute accuracy. Its dual channel design lets the 2500 also function as two separate mono channels via a single compression setting. Using auto-makeup gain, you can adjust Threshold or Ratio while automatically maintaining a constant output level. With both "feed back" and "feed forward" compression types, the 2500 boasts a wide range of incredibly musical parameters which have made it a favorite of engineers the world over.
Featuring
- 3-position Thrust high-pass filter
- Variable Link left and right channels
- 3 Variable Link filter types
- 3 compression modes: Soft, Medium and Hard Knee
- 6 Release settings ? 5 fixed, 1 continuous
Controls
- Compressor Controls
- Threshold -20 dBu to +10 dBu
- Attack 0.03 ms, 0.10 ms, 0.30 ms, 1 ms, 3 ms, 10 ms and 30 ms
- Ratio 5:1, 2:1, 3:1, 4:1, 6:1, 10:1 and Infinity:1
- Release 0.05 s, 0.1 s, 0.2 s, 0.5 s, 1.0 s, 2.0 s and Variable Release mode
- Variable Release 50 ms to 3 s
- Tone Controls
- Threshold Knee Hard, Medium and Soft
- Detector Thrust Loud, Medium and Normal
- Tone Type New (Feed-Forward) or Old (Feed-Backward)
- Link Controls
- Filter Type HP, LP and BP
- L/R Link Independent, 50%, 60%, 70%, 80%, 90% and 100%
- VU Meters
- Input/Output -30 dB to 0 dB With Clip indicator
- Gain Reduction 0 dB to 30 dB
- Meter Source GR, IN or OUT
- Output Controls
- Analog On/Off
- Compressor In On/Off
- Bypass On/Off
- Make-Up Gain Auto/Manual
- Make-Up Gain -24 dB to +24 dB
SSL 4000 Collection
SSL G-Master Buss Compressor
Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original’s IC input and twin VCA gain-reduction amplifier design.
Prized by top engineers for its ability to “glue together” tracks, the SL 4000 G master buss center compressor is ideal for taming piano dynamics or adding punch to drums and percussion. Now, the ultimate finalizer that transforms a mix into a finished record can be yours - in the box.
Features
- Developed under license from Solid State Logic
- Up to 24bit, 96kHz resolution
- Mono and Stereo components
- Supports TDM, RTAS, Audio Suite, VST, AU
- PC and Mac compatible
Controls
- Threshold: -15dBu to +15dBu
- Make Up Gain: -5dBu to +15dBu
- Attack: 0.1ms, 0.3ms, 1ms, 3ms, 10ms and 30ms
- Release: 0.1s, 0.3s, 0.6s, 1.2s or Auto
- Ratio: 2:1, 4:1, and 10:1
- Fade Rate-S: 1s to 60s
- Fade: Fade In, Fade Out and Fade Off
- Analog: On/Off
- In: Bypass On/Off
- Compression VU Meter: dB to 20dB
SSL E-Channel
The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console’s all-discrete design and its Class A, VCA chip. It’s a slice of the world’s greatest hitmaking machine, in your computer.
The equalization section of the SSL E-Channel is based on the renowned Black Knob equalizer, developed in 1983 with legendary producer George Martin. It features a High Pass Filter, Low Pass Filter, and a four-band parametric equalizer.
The dynamics section features a soft-knee compressor/limiter and an expander/gate modeled on the SSL LS611E. Like the original, it can be placed before or after the equalization section, and makeup gain is automatically applied to maintain a steady output level.
Features
- Developed under license from Solid State Logic
- Up to 24bit, 96kHz resolution
- Mono and Stereo components
- Supports TDM, RTAS, Audio Suite, VST, AU
- PC and Mac compatible
Controls
EQ Filters
EQ Filters Module
- Low Pass Filter Frequency: 22KHz to 3KHz, Out
- High Pass Filter Frequency: 16Hz to 350Hz, Out
- Split On/Off: Splits the LP/HP Module from the EQ Module
- HF Filter Frequency: 1.5KHz to 16KHz
- HF Filter Gain: -15dBu to +15dBu
- HF Filter Type: Shelf or Bell
- HMF Bell Filter Frequency: 0.6KHz to 7KHz
- HMF Bell Filter Gain: -15dBu to +15dBu
- HMF Bell Filter Q: 3.5 to 0.1
- LMF Bell Filter Frequency: 0.2KHz to 2.5KHz
- LMF Bell Filter Gain: -15dBu to +15dBu
- LMF Bell Filter Q: 3.5 to 0.1 LF Filter Frequency 30Hz to 450Hz
- LF Filter Gain: -15dBu to +15dBu
- LF Filter Type: Shelf or Bell
- EQ Module Bypass: On/Off
- EQ To DYN S/C On/Off: Moves the EQ Module to the Dynamics Module Side-Chain signal path
Dynamics Module
- Compressor Ratio: 1:1 to Infinity:1
- Compressor Threshold: +10dBu to -20dBu
- Compressor Release: 0.1s to 4s
- Compressor Fast Attack: On/Off
- Expander/Gate Range: 0dB to 40dB
- Expander/Gate Threshold: -30dBu to +10dBu
- Expander/Gate Release: 0.1s to 4s
- Expander/Gate Fast Attack: On/Off
- Gate: On/Off, Toggles Expander and Gate modes
- Attenuation Meters: 3dB to 20dB
- Dynamics Bypass: On/Off
- DYN to CH OUT On/Off: Places the Dynamics Module post the EQ Module
Gain Module
- Input Gain: -18dBu to +18dBu
- Input Phase Reverse: On/Off
- Output Gain Fader: -24dB to +12dB
- Meter Mode: Input or Output
- Meters: -60dB to 0dB with peak hold and clip indicators
- Analog: On/Off
SSL G-Equalizer
This four-band equalizer, modeled on the SSL G Series EQ292, offers greater gain change than the E-Series EQ, and a slightly different curve. The SSL G-Equalizer includes a pre-boost dip and a pre-cut rise, as well as a broader Q for more extreme equalization. That’s why many leading engineers use the E-Channel’s equalization for detailed problem-solving and mixing, and the G-Equalizer to shape and give character to the sound.
Features
- Developed under license from Solid State Logic
- Up to 24bit, 96kHz resolution
- Mono and Stereo components
- Supports TDM, RTAS, Audio Suite, VST, AU
- PC and Mac compatible
Controls
- Analog: On/Off
- HP Filter In: Bypass HP Filter On/Off
- HP Filter Frequency: 16Hz to 350Hz
- LF Shelf Filter Frequency: 30Hz to 450Hz
- LF Shelf Filter Gain: -17dBu to +17dBu
- LMF Bell Filter Frequency: 0.2KHz to 2.5KHz
- LMF Bell Filter Gain: -20dBu to +20dBu
- LMF Bell Filter Q: 3.5 to 0.1
- LMF f :3 Divides Frequency values by 3
- HMF Bell Filter Frequency: 0.6KHz to 7KHz
- HMF Bell Filter Gain: -20dBu to +20dBu
- HMF Bell Filter Q: 3.5 to 0.1
- HMF f x3 Multiplies Frequency values by 3
- HF Shelf Filter Frequency: 1.5KHz to 16KHz
- HF Shelf Filter Gain: -17dBu to +17dBu
- EQ In: Bypass EQ section On/Off
- Phase Reverse: On/Off
- Master Output: -24dBu to +12dBu
- Output Meters: -40dB to 0dB with peak hold and clip indicators
- Trim Output: gain adjustment
For the best in price, service and support, contact:
Kelly's Music & Computers
Phone: 1-888-562-8822
E-mail: sales@kellysmusic.ca
Web: http://www.kellysmusic.ca