The most detailed collection of the world's finest grand pianos, recorded in one of the 'temples of sound', EASTWEST STUDIOS (more RIAA certified platinum and gold records awarded than any other recording studios) with 3 mic positions for each piano.
The Early Pianoforte library offers the unique sound of a historical pianoforte by Johann Andreas Stein built in Augsburg in 1793. Clearly showing influences of harpsichords of that time, the instrument sports an uncommon piano sound: Svelte, present and with courtly elegance.
The Grand Piano library features a historical pianoforte built by Erard 1837 in London. This unique piano offers a lithe, charming and warm yet present sound far from your usual piano suspects, full of character, breathing and dripping with life.
The English Harpsichord library presents an instrument built by Jacob Kirckman in 1766. Due to its two manuals and many registers, the Kirckman harpsichord offers lots of unique sounds, sampled with 6 different register combinations, including the upper 8', lower 8' (principal 8'), both 8' together, the 4' register, the lute stop as well as the nasale stop only available with Kirckman instruments.
The Dutch Harpsichord library offers an original harpsichord by Andreas Ruckers built in 1628. Due to its two manuals and many registers, the Ruckers harpsichord offers lots of unique sounds, sampled with 6 different register combinations, including the upper 8', lower 8' (principal 8'), tutti, both 8' together, the 4' register as well as the lute stop.
The secret star of the Edition Beurmann is a hidden gem that may seem unimpressive at first glance: Built around 1910, it has been patina'ed over time and looks like a little version of a piano. This unique tuning-fork piano sports a vibrant, mellow and charming sound reminiscent of a vibraphone, glockenspiel, marimba and a piano - yet a sound of its own.
There is barely another instrument to combine both zeitgeist and timelessness in the way a spinet does: Despite being around for centuries already, its sound is still relevant in many musical territories, while at the same time being inextricably connected to the musical works of its time.
The Italian Harpsichord library contains a historical harpsichord built in 1579 by Pierluigi in Livorno. Sharing its tonal qualities for almost half a millennium, it is a classic example of how Italian harpsichords were built for about 200 years.